MEMORIA TECHNICA, series of monolithic images, analogue film exposures, scanned and digitally manipulated. Film exposed 2015, artist proof sponsored by Epson Europe 2017, archival ink print by architectural plotter on vellum 2025, a material that yellows and the back ink tends to turn red.
The vertical landscape mirrors the human body and four major seasons. Referencing the nature of breathing, the panels are displayed as framed scrolls. Reminiscent of medical magnetic resonance imaging, the reflected and refracted rays of the mirrored landscape forms negative and positive curvatures filled and hollowed by a translation of the paradoxically tactile and ineffable qualities associated with the passage of time. In this way, the monoliths perform as markers of chronoception – the sense and perception of passage through time. These monoliths are part of the Virtual Material works.
Recent exhibition of the monoliths measured 90,64 x 180 cm ( 35,68 x 70,87 in ).
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