MARI AMMAN, Pozzolana

sALTWATER FORTIFIES EARTHEN ASH

The proposal developed from 2023 onward and is protected by BONO and international copyright laws. This page is not optimized for mobile viewing. Please refer to the PDF or view this page on a computer. Contact with your interest or support: mariammanart@icloud.com

Artistic research informed by Roman Concrete exposes ways humanity can sustainably work with nature within society and built environments, instead of in domination of nature.

Solutions to humanity’s challenges, now and in the future, can be found by carefully examining history. In my artistic research I study origins, patterns in nature, and distances in viewing, while working on the poetics of space to develop relationships in composition. These visual and installation artworks have been described as ‘sublime timescapes’ and ‘aesthetic resonances’ motivated by the desire to cultivate and preserve Geological Empathy.

Looking at ways the imaginary realm becomes real, recovering the wisdom in Roman concrete serves as a multi-layered metaphor, by studying enduring forces. The truly beautiful can be evaluated as that which withstands time. The work could potentially reside in the framework of visual art, multi-media and performance art, and land-art “mark making” viewable by air, a sculpture significant to praxis o contemporary symbology (potential referenced by monoliths such as Easter Island), a mosaic or façade pigmented with relevant meaningful design, an installation by applied use of photogrammetry, pattern development, and/or displaying the results of ongoing research the study of nuanced differences in environmental interactivity between the chemistry. By studying and working with the ways pozzolana affords spacial, visual, acoustical, and design purpose, I can consider the ways water, as the central force of life, and breathing of the earth through tectonic movements and radiation prevails, at least until Earth’s next biggest the next impact. Therefore, the study of forces must be considered related to harmony and dominance through reverence for the past to apply deeper understanding and grace toward the future.

Artistic research of Pozzolana with the American Academy in Rome, serves as a fact-based source of discernment. Researching Roman Concrete throughout history and site-specific studies will be used to inform the development of artwork fusing tradition and technology. The poetic and metaphorical understandings arising from the anthropological and anthropogenic Roman Concrete research involves fundamental forces of life elements, in particular water, earth, and air to develop upon the 25+ years multidisciplinary praxis involving land-art, analogue photography, imaging, dance, sculpture, textile, and multimedia installation. Drawing upon my longstanding interests in technology, geology, water, creating in harmony with nature through built environments, the rheology of the earth over time and ingenious use of earth sediment serve as significance to establishing knowledge and the discernment between intelligence and hapless disregard. By taking into account design longevity, including the endurance of 8, 5 to 13 meters depth studies of underwater sites, I can apply my background in interior architecture, photography, performance, and the concept of the Eternal fore-fronting biological research relative to transitions in built environments, and narratives of life on earth with attention to magnetic resonances stored in stones leading to filling in the gaps in our understanding of earth’s history relative to human activity. For example, the Berkeley Lab News Center suggests Roman Seawater Concrete Holds the Secret to Cutting Carbon Emissions (lbl.gov). The resulting artwork’s conceptual focus will look into notions enduring the test of time to improve sustainability and healthy ecological goals.

Roman Concrete interests me personally due to the way it becomes over time. When in contact with seawater, the form and structure of Roman concrete becomes more stable. The opposite occurs for Modern Concrete, eroding over time with prolonged exposure to seawater. This is a site of precise, material reality that can be related to philosophy in practice. Building metaphors and myths rooted in reality is of critical importance in contemporaneous technocracy for examining and revealing faulty logic. “Young” Roman Concrete needs time to develop strength from seawater and the elements and was deemed to not have the compressive strength to handle modern use. The folly in the logic is revealed in the application of Modern Concrete withering in time with cracking requiring continual structural maintenance to be preserved, such as in Lorado Taft’s Eternal Indian statue in Oregon, Illinois. The material distinctions between Roman and Modern Concrete are also to be looked at through formal structural research. For example, the Nuclear Generating Station (Byron, Illinois) cooling towers. FERMILAB (DeKalb, Illinois), and CERN, and a great number of commercial, industrial, architectural, transportation, civil engineering, resource and waste methods to be researched.

My personal ethos is that facts generate healthier creations than ideas alone, and therefore have rooted my multidisciplinary artistic practice in ongoing skill development in visual arts and design, photography (analogue/darkroom/digital), installations, music, writing and poetry, sculpture (clay, stone, mixed media materials). My educational background involves interior architecture, communications, social psychology, personal study of human behavior and biology, rooted in my upbringing near forests, prairie preserves, nuclear power generation, alongside ongoing interests in technology, geology, archeology, architecture and built environments. The study of Roman Concrete aligns with the way water and earth materials interact. The fundamental concepts of properly understanding nature, in my eyes, become metaphorically apparent in social constructions. In this way, the effects and actuality of construction may offer beneficial cultural relational activity between the Nordics, Italy, and the Americas, with the potential to extend throughout Asia and Europe. Additional partnerships can be considered, such as the Enel Foundation, Norges Geologiske Undersøkelse and other Geoscience organisations.

Pozzolana (working title) aims to look at knowing as a concretization of intuition, pursued and developed to recover lost knowledge, to then examine ways of introducing meaning into the public through art and cultural work. Publishing research, photographs and records from site-specific investigations into the caves, cisterns, and the potential of transversing the Appian Way can generate an ongoing artistic production related to Roman Concrete by creating images (still and moving), sound and performance with dance and vocalisation. These proposals are based on my artistic work influenced by Joseph Beuys, Nam June Paik, Kimsooja, Jennifer Steinkamp, Robert Smithson, James Turrell, Olafur Eliasson, Gerhard Richter, Tricia Brown, among others in music, dance, and architecture.

“Freedom is unlikely to be lost all at once and openly. It is far more likely to be eroded away, bit by bit, amid glittering promises and expressions of noble ideals.” — Thomas Sowell

Bibliography (to be continued, copyright remains with the publications)

Marie D. Jackson, Research at Utah: Geology and Geophysics

Excerpt from “Miracle Materials Episode 1: From Concrete to Clay” from Advanced Light Source on Vimeo.

Roman Seawater Concrete Holds the Secret to Cutting Carbon Emissions – Berkeley Lab News Center (lbl.gov)

The Fate of Volcanic Ash: Premature or Delayed Sedimentation? Supplementary Information (Nature Communications)

The Society of Rheology: Roman Concrete study

Journal of the American Ceramic Society – 2021 – Seymour – Reactive Binder and Aggregate Interfacial Zones in the Mortar of Tomb of Caecilia Metella concrete, 1C BCE, Rome

Roman Noblewoman’s Tomb Reveals Secrets of Ancient Concrete Resilience: Study shows how changing chemistry in Roman mortar strengthens the tomb over time (Paul Gabrielsen)

Surtsy Volcano Research, University of Utah

2018 Jackson ACERS Feature Jun-Jul18

2014 AJA Program Abstracts Surtsey

2009 Jackson etal JAS